Imagine you have spent nearly 30 years in prison just for writing poems—the only thing that keeps you going is the hope of someday being reunited with your wife and family. But then when the day of your release finally comes, you discover that your family has been told that you are dead and you are left to wander the earth like a ghost, caught between the horror of the past and a present where you don’t even really exist.
This is the tragic situation faced by the protagonist of a powerful new movie called Rhino Season (Fasle Kargadan) by the eminent Iranian film director Bahman Ghobadi. It can also be interpreted as a metaphor for an entire society, haunted by the human rights violations that shattered so many lives, yet unable to move forward because of the Iranian government’s stubborn refusal to accept responsibility for the crimes they perpetrated. Thousands of people were imprisoned, tortured and executed in Iran in the 1980s; there has never been a reckoning, there has been no accountability and it is impossible for any of those scarred by those years to find peace and closure.